- Μηνύματα
- 1.985
- Reaction score
- 765
πολυ ωραια δουλεια
αυτο που βλεπω και γω ειναι οτι το LXMini, το δινει με το MiniDSP, ενω το pluto "φοραει" to ετοιμο που λες...
οπως ρωτησα και πιο πανω, ειναι το mini γενικα ας το πουμε, μια καλυτερη εκδοση του pluto?...
επισης, απ οτι αναφερεις, ανετα μπορει κανεις να δουλεψει το pluto, με aftermarket dsp (minidsp κλπ)
αυτο που διαβαζω παντως στα λιγα review μεχρι τωρα, ειναι οτι αλλαζει εντονα (σε σχεση με αλλες σχεδιασεις) ο χαρακτηρας του ηχειου, αναλογος τοποθετησης, καθως επισης και οτι λογο σχεδιασης, υπαρχει μικρο θεμα με τα "δυναμικα"
παραθετω αποσπασμα απο review...
αυτο που βλεπω και γω ειναι οτι το LXMini, το δινει με το MiniDSP, ενω το pluto "φοραει" to ετοιμο που λες...
οπως ρωτησα και πιο πανω, ειναι το mini γενικα ας το πουμε, μια καλυτερη εκδοση του pluto?...
επισης, απ οτι αναφερεις, ανετα μπορει κανεις να δουλεψει το pluto, με aftermarket dsp (minidsp κλπ)
αυτο που διαβαζω παντως στα λιγα review μεχρι τωρα, ειναι οτι αλλαζει εντονα (σε σχεση με αλλες σχεδιασεις) ο χαρακτηρας του ηχειου, αναλογος τοποθετησης, καθως επισης και οτι λογο σχεδιασης, υπαρχει μικρο θεμα με τα "δυναμικα"
παραθετω αποσπασμα απο review...
...Setting these speakers up is interesting, their presentation changes more than most depending on how close to the walls they are and the imaging doesn’t really gel until they’re about two or three feet from the rear wall. You get more bass power further back but that is not what the Pluto is about, in fact they strike me as being better suited to 2.1 operation. The bass is not very extended by box standards, it’s clean but lacks power. This can be a tolerable compromise if everything else is strong enough to distract you and they do one thing really well, that is imaging. You’ve heard the term holographic bandied about, well this speaker pretty much does it. And it does it as well as models costing significantly more. The absence of a vibrating box around the drivers really pays off with a soundstage that’s as big as the room will allow but not overblown. Live tracks like Nils Lofgren’s Keith Don’t Go sound spectacular, the atmosphere of the venue crackles and the voice and guitar sound extraordinarily present. This result was not achieved without some tweaking however, primarily with the speaker cable. By replacing the supplied cable with some relatively affordable DNM Stereo made for a significant increase in clarity and pace, you could hear a lot more. The supplied cable allows them to image well but they are more capable than that.
The weakness of the system is that it can struggle with complex rhythms, when a big band starts playing dense material things can get congested. The other limitation is dynamics, it’s not possible to get the energy levels that you can with a conventional speaker and amp pairing of similar price. The rhythmic limitation is only obvious with certain material but the dynamic one is harder to ignore.
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