AUDIOPHILE RECORDINGS

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Some audiophile recording

Just few titles, mainly used by me when evaluating HiFi gear. Yeah, I know there are many other (maybe better) audiophile recordings out there...but this is not meant to be an exaustive and complete list. Actually I have maybe 100 audiophile test records.
  • Cantate Domino - Proprius records. A mid '70s analogue recording (available even on CD) of sacred music: a large choir, a pipe organ and few trumpets inside a good-sounding cathedral. Sometimes a bit harsh in the highs, this recording is excellent to evaluate male and female voices (both soloists and choir) and the size of an extremely wide 3D soundstage. The height of the 3D image is simply stunning (with proper gear) and can virtually extend above your ceiling. Pipe organ pedals should shake your floor. If not, you need new 'speakers :)
  • Sinfonia Fantastica - H. Berlioz - Reference Recordings. In my humble opinion one of the best classical Music (symphonic) recording ever made. Earth shaking dynamics can embarass more than one set-up. Percussions and bass range are simply stunning.
    Musically this Sinfonia Fantastica is even enjoyable, the orchestra and the conductor seem know their job.
  • Sheffield Track & Drum Record - Sheffield records. Another 20 years old analogue recording (also available on CD) which is still a reference for electric pop/rock Music. Dynamics and sheer energy at their best. The drums solos are a severe test for any HiFi system if played - as they should always be - extremely loud (a live drum kit sounds very loud...). A realistic 3D image is included too. Musically, you have to love the Toto-style kind of Music.
  • Reference Jazz - Reference Recordings. A good sampler with many good jazz recordings. Very good with respect to dynamics, soundstaging and tonal clarity. Musically enjoyable, as a sampler can be :)
  • Sara K. Closer than they appear and others - Chesky Records. A jazz artist entirely recorded direct to disc: impressive realism and energy. A good test to evaluate real instruments and a very nice female voice. Sara K. records are very popular at HiFi SHows.
  • Telarc Super Test CD - Telarc recordings. Another good sampler with tracks ranging from jazz to classical music. It contains some excellent tracks devoted to single instruments (organ and double-bass, for example). Impressive dynamics. Musically not so interesting (there's even a jet-fighter squadron in a battle...).
  • Ludus Danielis. Fone' records. Ancient Music aficionados may find this Italian recording a MUST. Excellent 3D image, transparency and detail.
Warning for non-audiophiles. DO NOT judge audiophiles by the records they use to test HiFi with. Those discs serve only as a quick reference comparison test, nothing else. Audiophiles love Music and listen to Music, independently of the way it has been recorded.
 

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Buddy Guy: Sweet Tea
(Jive CS 41751. Dennis Herring, prod.; Chris Shepherd, eng. DDD. TT:53:29.)


John Hammond - Wicked Grin
Pointblank 7243 8 50764 2 8
Released: 2001



Jacques Loussier Trio - Baroque Favorites
Telarc CD-83516, 2001




Rachmaninoff - Symphonic Dances

Eiji Oue conducting the Minnesota Orchestra
Reference Recordings RR96CD
Released: 2001



Lightnin' Hopkins - Goin' Away
JVC XRCD JVCXR-211-2, 2001



Tchaikovsky - 1812 Overture
Telarc CD-80541, 2001




Berlioz - Symphonie Fantastique
Cincinnati Symphony Orchestra; Paavo Järvi, conductor
Telarc CD-80578
Released: 2001








Pierre Monteux - Ravel: Daphis et Chloe (not Blue Back)


Label:LondonGenre:ClassicalProduct No.:ULON CS6147








Milt Jackson Sextet - Invitation


Label:Mobile FidelityGenre:JazzProduct No.:AMOB 1298Availability:Pre OrderFormat:180 Gram Vinyl LP





Blues in Time


Label:Mobile FidelityGenre:JazzProduct No.:AMOB 1241Availability:Limited StockFormat:200 Gram Vinyl LP

Oscar Peterson Trio with Milt Jackson - Very Tall


Label:Mobile FidelityGenre:JazzProduct No.:AMOB 1243Availability:Limited StockFormat:200 Gram Vinyl LP
$95.00 [Add to Cart]

When Milt Jackson met Oscar Peterson, each had already made dozens of albums under his own name. Yet in this summit meeting each selflessly yields the spotlight to showcase the other. Jackson's meeting here with Ray Brown, though, was a reunion: They had both been in Dizzy Gillespie's 1946 band and then were charter members of the Modern Jazz Quartet. This is such a landmark recording that it has led to three sequel albums.
 


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