- Μηνύματα
- 3.092
- Reaction score
- 666
Για τους βινυλιοφάγους....
Holly Cole: Don't Smoke in Bed
CATALOG #: JP-5006
LABEL: Various 200gm (New World, Xanadu, Virgin, etc.)
AVAILABLE: Now
Holly Cole explores a number of styles on her second album, Don't Smoke in Bed, without overreaching her grasp. Adding pop, blues, country, and a French ballad to her standard, low-key jazz, Cole demonstrates that not only does she have impeccable taste, but she has the talent to make all of the material sound convincing. This is an all time audiophile favorite
Pete Townsend: Who Came First
CATALOG #: TR-79189
LABEL: Additional rock-pop 200 Gram LP reissues
AVAILABLE: Now
Offenbach: Gaite Parisienne
CATALOG #: LSC-1817
LABEL: RCA Living Stereo 200 Gram LP reissues
AVAILABLE: Now
Very Lively French light orchestral favorites. Condsider by some the best recording of all! Recorded June 1954 in Bosyon Symphony Hall.
Sarah McLachlan: AfterGlow
CATALOG #: RTH-2013
LABEL: Rock the House 200 Gram LP reissues
AVAILABLE: Now
During the mid-'90s, Sarah McLachlan was a near-ubiquitous presence in pop music, establishing adult alternative pop radio with 1994's Fumbling Toward Ecstasy and 1997's Surfacing and spearheading the popular Lilith Fair touring festival, but once the last Lilith wound up in 1999, she retreated from the spotlight, had a baby, and seemingly retired from music. Four years later, she has made a return with Afterglow, her first album in six years. Not much has changed in the time she was away. Afterglow is firmly within the McLachlan signature sound a softly tuneful, mildly atmospheric blend of classic singer/songwriterism and a touch of vaguely dreamy alternative pop, all shined and immaculately produced by Pierre Marchand. The album is the first collection of songs she wrote entirely on piano, not guitar, which ultimately doesn't make much of a difference to the overall feel and effect of the album, which perfectly dovetails with Surfacing.
Holly Cole: Don't Smoke in Bed
CATALOG #: JP-5006
LABEL: Various 200gm (New World, Xanadu, Virgin, etc.)
AVAILABLE: Now
Holly Cole explores a number of styles on her second album, Don't Smoke in Bed, without overreaching her grasp. Adding pop, blues, country, and a French ballad to her standard, low-key jazz, Cole demonstrates that not only does she have impeccable taste, but she has the talent to make all of the material sound convincing. This is an all time audiophile favorite
Pete Townsend: Who Came First
CATALOG #: TR-79189
LABEL: Additional rock-pop 200 Gram LP reissues
AVAILABLE: Now
Offenbach: Gaite Parisienne
CATALOG #: LSC-1817
LABEL: RCA Living Stereo 200 Gram LP reissues
AVAILABLE: Now
Very Lively French light orchestral favorites. Condsider by some the best recording of all! Recorded June 1954 in Bosyon Symphony Hall.
Sarah McLachlan: AfterGlow
CATALOG #: RTH-2013
LABEL: Rock the House 200 Gram LP reissues
AVAILABLE: Now
During the mid-'90s, Sarah McLachlan was a near-ubiquitous presence in pop music, establishing adult alternative pop radio with 1994's Fumbling Toward Ecstasy and 1997's Surfacing and spearheading the popular Lilith Fair touring festival, but once the last Lilith wound up in 1999, she retreated from the spotlight, had a baby, and seemingly retired from music. Four years later, she has made a return with Afterglow, her first album in six years. Not much has changed in the time she was away. Afterglow is firmly within the McLachlan signature sound a softly tuneful, mildly atmospheric blend of classic singer/songwriterism and a touch of vaguely dreamy alternative pop, all shined and immaculately produced by Pierre Marchand. The album is the first collection of songs she wrote entirely on piano, not guitar, which ultimately doesn't make much of a difference to the overall feel and effect of the album, which perfectly dovetails with Surfacing.
