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ROLAND
ROLAND JUPITER 8 (JP-8)
The Jupiter 8 was Roland's first truly professional analog synthesizer. The Jupiter 8 features 16 rich analog oscillators at 2 per voice, eight voice polyphony and easy programming! At eight voices you can get some pretty thick analog sounds. Easy and intuitive programming via front panel sliders, knobs and buttons for all your tweaking needs. The legacy of the Jupiter synthesizers is due to their unique voice architecture and design, creating sounds that were so unreal and amazing that they have to be heard! No other synths in the world can create analog sounds as cool and authentic as these.
The Jupiter 8 was the biggest and fattest of them all (Jupiters and Junos)! It was one of the first synths to allow its keyboard to be split and layered - it's eight voices of trance heaven! Cross-mod, oscillator sync, a great LFO and a classic arpeggiator are also on-board. (The arpeggiator can be heard all over the Duran Duran classic, "Rio".) There's also two killer resonant analog 24dB/oct filters with 2-pole and 4-pole settings as well as low- and high-pass filtering methods. Unfortunately for the earlier models, tuning was very unstable but that seemed to be resolved in later models. Unlike its smaller counterpart, the Jupiter 6, the Jup 8 does not feature MIDI, only Roland's DCB sync can be found on some models. However, MIDI retro-kit's are available from various companies. Patch presets can store keyboard splits, arpeggiator settings, voice assign mode, hold, portamento and modulation settings.
The Jupiter 8 has been used by Tangerine Dream, Orbital, Future Sound of London, Moby, Duran Duran, Underworld, Vince Clarke, Uberzone, Jean Michel Jarre, Roxy Music, OMD, A Flock Of Seagulls, Depeche Mode, Rush, Meat Beat Manifesto, Banco De Gaia, Josh Wink, Thomas Dolby, Howard Jones, The Cars, Prince, Gary Wright, Jan Hammer, BT, Adrian Lee, Heaven 17, Kitaro, Elvis Costello, Tears for Fears, Huey Lewis and the News, Journey, Moog Cookbook, Yes, Devo, Freddy Fresh, and Simple Minds.
http://www.vintagesynth.org/audio/jup8.ram
ROLAND JUNO-6
The first in a series of amazingly affordable quality synthesizers from Roland's amazing Juno family! The Juno-6 is a six voice polyphonic analog synthesizer! It's a very stable synth thanks to its digitally controlled analog oscillators. The Juno-6 sounds great, however it lacks basic necessities like MIDI control and patch memory storage.
The next generation Juno-60 version added 56 patches of memory storage. Both of these synths sound virtually the same and are considered by many to sound better (punchier) than the popular follow up, the Juno-106. The Juno-6 and 60 are very rich sounding synthesizers and are great analog machines as long as you can overlook the absence of MIDI control. Of course nobody can deny that the wooden side panel look is a true sign of Vintage status! The Junos have been used by Nick Rhodes of Duran Duran, Enya, Sean Lennon, Sneaker Pimps, Vince Clarke of Erasure and Banco De Gaia.
http://www.vintagesynth.org/audio/juno60.mp3
ROLAND JUNO-60
Among the first in Roland's amazing Juno family! Six analog voices of polyphony and patch memory storage!! The Juno-60 sounds great, however, like the Juno-6 it lacks MIDI control. The Juno-60 includes 56 patches of memory storage. The Juno-60 is still popular due in part to opinions that it sounds better (punchier) than the Juno-106. The Juno-6 and 60 are very rich sounding synthesizers and are great analog machines as long as you can withstand the absence of MIDI control. The JSQ-60 sequencer is an external sequencer controller for the Juno-60 and is usually worth acquiring. Of course nobody can deny that the wooden side panel look is a true sign of Vintage status! Junos have been used by Enya, The Cure, Sean Lennon, Faithless, Astral Projection, Vince Clarke, Rabbit in the Moon, Men at Work, Flock of Seagulls, Olive, Dee-Lite, Howard Jones, Locust, Eurythmics and Add N to (X).
http://www.vintagesynth.org/audio/juno60.mp3
ROLAND JUNO-106
The Juno-106 is a very common and widely used analog synth. It continues to be one of the most popular analog synths due to its great sound and easy programmability. It uses the same synth engine as the Juno-60 but adds extensive MIDI control. There is also increased patch memory storage with 128 patches instead of 56. It's also commonly said that the Juno-60 sounds "punchier" than the 106 because the 60 had the ability to modulate osc. pulse from an envelope.
The Juno-106 a six voice polyphonic and programable analog synth with one digitally controlled oscillator per voice. While classic monophonic synths used two or three oscillators to create a fatter sound, the Juno-106 uses built-in chorus to fatten up the sound. There is an excellent 24dB/oct analog lowpass filter with plenty of resonance and self-oscillating possibilities and a non-resonant highpass. The programable pitch/mod bender can control the DCO pitch, VCF cutoff, and LFO amount all at once or individually.
The Juno-106 is the first MIDI equipped Juno and its implementation is very good. There are 16 MIDI channels available and MIDI SysEx data can be transmitted/received for all the sliders and buttons for total remote control and sequencing. This synth is very straight-forward and very powerful. Use it to generate lush pads, filter sweeps, and funky bass lines and leads.
The Juno-106 is one of the most loved and used synthesizers by professionals and hobbyists alike! William Ørbit, Uberzone, Norman Cook (Fatboy Slim), Autechre, BT, Vince Clarke, Moby, 808 State, Underworld, Leftfield, Fluke, Josh Wink, Todd Terry, Depeche Mode, Eat Static, Biosphere, The Prodigy, The Shamen, Bushflange, Cirrus, Astral Projection, Apollo 440, Faithless, Union Jack, Computer Controlled, Pet Shop Boys, Sneaker Pimps, Erasure, Freddy Fresh, Rabbit in the Moon, Kevin Saunderson, Jimmy Edgar, Laurent Garnier, Vangelis, and the Chemical Brothers have used this synth extensively! It belongs in your studio!
http://www.vintagesynth.org/audio/juno.ram
ROLAND JX-3P
The JX-3P is a pretty good synth, best known for a good string sound. It came about at the same time as the Juno series but represents a shift towards digital circuitry, push-buttons and (for the JX-3P) simplified programming. Compared with a Juno, the JX-3P sounds inferior however it is analog and capable of decent synth sounds for cheap. You will need the PG-200 programmer if you want real control of it. It's a six voice polyphonic with two DCO's per voice which means analog oscillators and sounds with digital stability and control. The typical assortment of filter, envelope, LFO and oscillator sections are here with easy and straight-forward programming.
Surprisingly, the JX-3P is MIDI equipped, in fact it was Roland's first MIDI synth but was very limited to basic note on/off information only. Synths like the Juno 106 have far better MIDI implementation and sounds. Although the JX-3P may not be as nice or professional as a Juno, it makes a great entry level Vintage synth capable of creating some useful classic analog sounds. The JX-3P also came in a rack-mount version called the MKS-30. It has beenused by The Future Sound of London, Astral Projection, Vince Clarke, Orbital, Luke Vibert, Stevie Nicks, and Thomas Dolby.
http://www.vintagesynth.org/audio/jx3p.mp3
ROLAND Alpha Juno 1
The Alpha Juno is a great sounding Juno type synth! Not quite as warm in sound as the previous Juno's but still a nice addition to any techno synth rig. Sliders and buttons were replaced by membrane buttons and the Alpha Dial which is used to edit and browse through the extensive selection of parameters: DCO digitally controlled oscillators, LFO, bend, ENV, pulse, waveforms, noise, PW/PWM, high pass filter, VCF filter with freq/env/res/LFO/kybd, VCA envelope, chorus, and more. The PG-300 synthesizer programmer gives you traditional slider control of each parameter for much easier and faster editing.
Other nice touches include better MIDI implementation than previous Roland synths, 64 presets and 64 user patches, a nice LCD display, an LFO capable of a very slow rate for some cool sweeping effects, and a great bass sound (especially nice for acid basslines) and noise effects! It also has chord memory which is perfect for rave & techno, portamento and keyboard transposing. The Alpha Juno 1 was soon replaced by the Alpha Juno 2 which added a few MIDI & keyboard enhancements. The MKS-50 is an upgraded rackmount version of the Alpha Juno. The Alpha Juno is used by Mundo Muzique, Vince Clarke, Matt Megaton Haines, Paul Hardcastle, Massive Attack, Bomb the Bass, The Prodigy, Youth, Joey Beltram and Human Resource.
http://www.vintagesynth.org/audio/JU1demo.m3u
ROLAND ALPHA JUNO 2
This is an upgraded version of the Alpha Juno 1. It adds an extended 61 note keyboard with velocity and aftertouch and an external memory cartridge slot. Other than that it has the same great sound and features as the Juno 1. Sliders and buttons were replaced by membrane buttons and the Alpha Dial which is used to edit and browse through the extensive selection of parameters: DCO digitally controlled oscillators, LFO, bend, ENV, pulse, waveforms, noise, PW/PWM, high pass filter, VCF filter with freq/env/res/lfo/kybd, VCA envelope, chorus, and more.
Adequate in the studio or on the stage, the Juno 2 has 64 presets and 64 user memory patches, a nice LCD display, an LFO capable of a very slow rate for some cool sweeping effects, and a great bass sound (especially nice for acid basslines) and noise effects! It also has chord memory which is perfect for rave & techno, portamento and keyboard transposing. The PG-300 Synthesizer Programmer gives you traditional slider control of each parameter for much easier and faster editing. The Alpha Junos have been used by Mundo Muzique, Vince Clarke, Matt Megaton Haines, Paul Hardcastle, Fatboy Slim, Massive Attack, Bomb the Bass, The Prodigy, Faithless, Youth, Joey Beltram and Human Resource.
http://www.vintagesynth.org/audio/JU1demo.m3u
ROLAND JUPITER 8 (JP-8)
The Jupiter 8 was Roland's first truly professional analog synthesizer. The Jupiter 8 features 16 rich analog oscillators at 2 per voice, eight voice polyphony and easy programming! At eight voices you can get some pretty thick analog sounds. Easy and intuitive programming via front panel sliders, knobs and buttons for all your tweaking needs. The legacy of the Jupiter synthesizers is due to their unique voice architecture and design, creating sounds that were so unreal and amazing that they have to be heard! No other synths in the world can create analog sounds as cool and authentic as these.
The Jupiter 8 was the biggest and fattest of them all (Jupiters and Junos)! It was one of the first synths to allow its keyboard to be split and layered - it's eight voices of trance heaven! Cross-mod, oscillator sync, a great LFO and a classic arpeggiator are also on-board. (The arpeggiator can be heard all over the Duran Duran classic, "Rio".) There's also two killer resonant analog 24dB/oct filters with 2-pole and 4-pole settings as well as low- and high-pass filtering methods. Unfortunately for the earlier models, tuning was very unstable but that seemed to be resolved in later models. Unlike its smaller counterpart, the Jupiter 6, the Jup 8 does not feature MIDI, only Roland's DCB sync can be found on some models. However, MIDI retro-kit's are available from various companies. Patch presets can store keyboard splits, arpeggiator settings, voice assign mode, hold, portamento and modulation settings.
The Jupiter 8 has been used by Tangerine Dream, Orbital, Future Sound of London, Moby, Duran Duran, Underworld, Vince Clarke, Uberzone, Jean Michel Jarre, Roxy Music, OMD, A Flock Of Seagulls, Depeche Mode, Rush, Meat Beat Manifesto, Banco De Gaia, Josh Wink, Thomas Dolby, Howard Jones, The Cars, Prince, Gary Wright, Jan Hammer, BT, Adrian Lee, Heaven 17, Kitaro, Elvis Costello, Tears for Fears, Huey Lewis and the News, Journey, Moog Cookbook, Yes, Devo, Freddy Fresh, and Simple Minds.
http://www.vintagesynth.org/audio/jup8.ram
ROLAND JUNO-6
The first in a series of amazingly affordable quality synthesizers from Roland's amazing Juno family! The Juno-6 is a six voice polyphonic analog synthesizer! It's a very stable synth thanks to its digitally controlled analog oscillators. The Juno-6 sounds great, however it lacks basic necessities like MIDI control and patch memory storage.
The next generation Juno-60 version added 56 patches of memory storage. Both of these synths sound virtually the same and are considered by many to sound better (punchier) than the popular follow up, the Juno-106. The Juno-6 and 60 are very rich sounding synthesizers and are great analog machines as long as you can overlook the absence of MIDI control. Of course nobody can deny that the wooden side panel look is a true sign of Vintage status! The Junos have been used by Nick Rhodes of Duran Duran, Enya, Sean Lennon, Sneaker Pimps, Vince Clarke of Erasure and Banco De Gaia.
http://www.vintagesynth.org/audio/juno60.mp3
ROLAND JUNO-60
Among the first in Roland's amazing Juno family! Six analog voices of polyphony and patch memory storage!! The Juno-60 sounds great, however, like the Juno-6 it lacks MIDI control. The Juno-60 includes 56 patches of memory storage. The Juno-60 is still popular due in part to opinions that it sounds better (punchier) than the Juno-106. The Juno-6 and 60 are very rich sounding synthesizers and are great analog machines as long as you can withstand the absence of MIDI control. The JSQ-60 sequencer is an external sequencer controller for the Juno-60 and is usually worth acquiring. Of course nobody can deny that the wooden side panel look is a true sign of Vintage status! Junos have been used by Enya, The Cure, Sean Lennon, Faithless, Astral Projection, Vince Clarke, Rabbit in the Moon, Men at Work, Flock of Seagulls, Olive, Dee-Lite, Howard Jones, Locust, Eurythmics and Add N to (X).
http://www.vintagesynth.org/audio/juno60.mp3
ROLAND JUNO-106
The Juno-106 is a very common and widely used analog synth. It continues to be one of the most popular analog synths due to its great sound and easy programmability. It uses the same synth engine as the Juno-60 but adds extensive MIDI control. There is also increased patch memory storage with 128 patches instead of 56. It's also commonly said that the Juno-60 sounds "punchier" than the 106 because the 60 had the ability to modulate osc. pulse from an envelope.
The Juno-106 a six voice polyphonic and programable analog synth with one digitally controlled oscillator per voice. While classic monophonic synths used two or three oscillators to create a fatter sound, the Juno-106 uses built-in chorus to fatten up the sound. There is an excellent 24dB/oct analog lowpass filter with plenty of resonance and self-oscillating possibilities and a non-resonant highpass. The programable pitch/mod bender can control the DCO pitch, VCF cutoff, and LFO amount all at once or individually.
The Juno-106 is the first MIDI equipped Juno and its implementation is very good. There are 16 MIDI channels available and MIDI SysEx data can be transmitted/received for all the sliders and buttons for total remote control and sequencing. This synth is very straight-forward and very powerful. Use it to generate lush pads, filter sweeps, and funky bass lines and leads.
The Juno-106 is one of the most loved and used synthesizers by professionals and hobbyists alike! William Ørbit, Uberzone, Norman Cook (Fatboy Slim), Autechre, BT, Vince Clarke, Moby, 808 State, Underworld, Leftfield, Fluke, Josh Wink, Todd Terry, Depeche Mode, Eat Static, Biosphere, The Prodigy, The Shamen, Bushflange, Cirrus, Astral Projection, Apollo 440, Faithless, Union Jack, Computer Controlled, Pet Shop Boys, Sneaker Pimps, Erasure, Freddy Fresh, Rabbit in the Moon, Kevin Saunderson, Jimmy Edgar, Laurent Garnier, Vangelis, and the Chemical Brothers have used this synth extensively! It belongs in your studio!
http://www.vintagesynth.org/audio/juno.ram
ROLAND JX-3P
The JX-3P is a pretty good synth, best known for a good string sound. It came about at the same time as the Juno series but represents a shift towards digital circuitry, push-buttons and (for the JX-3P) simplified programming. Compared with a Juno, the JX-3P sounds inferior however it is analog and capable of decent synth sounds for cheap. You will need the PG-200 programmer if you want real control of it. It's a six voice polyphonic with two DCO's per voice which means analog oscillators and sounds with digital stability and control. The typical assortment of filter, envelope, LFO and oscillator sections are here with easy and straight-forward programming.
Surprisingly, the JX-3P is MIDI equipped, in fact it was Roland's first MIDI synth but was very limited to basic note on/off information only. Synths like the Juno 106 have far better MIDI implementation and sounds. Although the JX-3P may not be as nice or professional as a Juno, it makes a great entry level Vintage synth capable of creating some useful classic analog sounds. The JX-3P also came in a rack-mount version called the MKS-30. It has beenused by The Future Sound of London, Astral Projection, Vince Clarke, Orbital, Luke Vibert, Stevie Nicks, and Thomas Dolby.
http://www.vintagesynth.org/audio/jx3p.mp3
ROLAND Alpha Juno 1
The Alpha Juno is a great sounding Juno type synth! Not quite as warm in sound as the previous Juno's but still a nice addition to any techno synth rig. Sliders and buttons were replaced by membrane buttons and the Alpha Dial which is used to edit and browse through the extensive selection of parameters: DCO digitally controlled oscillators, LFO, bend, ENV, pulse, waveforms, noise, PW/PWM, high pass filter, VCF filter with freq/env/res/LFO/kybd, VCA envelope, chorus, and more. The PG-300 synthesizer programmer gives you traditional slider control of each parameter for much easier and faster editing.
Other nice touches include better MIDI implementation than previous Roland synths, 64 presets and 64 user patches, a nice LCD display, an LFO capable of a very slow rate for some cool sweeping effects, and a great bass sound (especially nice for acid basslines) and noise effects! It also has chord memory which is perfect for rave & techno, portamento and keyboard transposing. The Alpha Juno 1 was soon replaced by the Alpha Juno 2 which added a few MIDI & keyboard enhancements. The MKS-50 is an upgraded rackmount version of the Alpha Juno. The Alpha Juno is used by Mundo Muzique, Vince Clarke, Matt Megaton Haines, Paul Hardcastle, Massive Attack, Bomb the Bass, The Prodigy, Youth, Joey Beltram and Human Resource.
http://www.vintagesynth.org/audio/JU1demo.m3u
ROLAND ALPHA JUNO 2
This is an upgraded version of the Alpha Juno 1. It adds an extended 61 note keyboard with velocity and aftertouch and an external memory cartridge slot. Other than that it has the same great sound and features as the Juno 1. Sliders and buttons were replaced by membrane buttons and the Alpha Dial which is used to edit and browse through the extensive selection of parameters: DCO digitally controlled oscillators, LFO, bend, ENV, pulse, waveforms, noise, PW/PWM, high pass filter, VCF filter with freq/env/res/lfo/kybd, VCA envelope, chorus, and more.
Adequate in the studio or on the stage, the Juno 2 has 64 presets and 64 user memory patches, a nice LCD display, an LFO capable of a very slow rate for some cool sweeping effects, and a great bass sound (especially nice for acid basslines) and noise effects! It also has chord memory which is perfect for rave & techno, portamento and keyboard transposing. The PG-300 Synthesizer Programmer gives you traditional slider control of each parameter for much easier and faster editing. The Alpha Junos have been used by Mundo Muzique, Vince Clarke, Matt Megaton Haines, Paul Hardcastle, Fatboy Slim, Massive Attack, Bomb the Bass, The Prodigy, Faithless, Youth, Joey Beltram and Human Resource.
http://www.vintagesynth.org/audio/JU1demo.m3u
