Ε-κλαίγοντας Album






Bhutia

Hidden Guru
Editor
Μηνύματα
16.932
Reaction score
54.806
Welcome back. :) We missed you.



Μουσικό αφήγημα πάνω σ'ένα μύθο για χαρακτήρα που ΄΄λείπει΄΄...Το φεγγάρι απάγει την Sadiya και ο πατέρας της φτάνει μέχρι την άκρη της ερήμου προσπαθώντας να παγιδεύσει το φεγγάρι μέσα από την αντανάκλαση σ'ένα κουβά με νερό ώστε να διαπραγματευθεί την επιστροφή της αγαπημένης του κόρης...

Υπνωτιστικές ,μελωδίες και φαντασμαγορικές ethnic φόρμες...
 

Bhutia

Hidden Guru
Editor
Μηνύματα
16.932
Reaction score
54.806
1658734880335.png


To trio των Oren Ambarchi στην ηλεκτρική κιθάρα ,Andreas Werliin στα κρουστά και Johan Berthling στο μπάσο παίζει με τις διαφοροποιήσεις πάνω σε μινιμαλιστικά μοτίβα.Μουσική συνέργεια σε...κβαντικά επίπεδα που παρεμβάλλεται στο χωροχρονικό συνεχές...
Για να μην καλομαθαίνουμε και πολύ με ορθόδοξα album.
 

Μηνύματα
343
Reaction score
872
Πολύ καλή συνεργασία ανάμεσα σε δύο θρύλους της σύγχρονης γαλλικής μουσικής. Μοιάζει σαν συνάντηση του Gainsbourg με τους Unkle. Και άλλο ενα πολύ ωραίο εξώφυλλο απο τον Elzo Durt
 

Bhutia

Hidden Guru
Editor
Μηνύματα
16.932
Reaction score
54.806
Ένα album-ανεμιστήρας για να καθαρίσει ΄΄ωραίες΄΄ ατμόσφαιρες
Paolo Nutini "Last Night In The Bittersweet"


Καθένα κομμάτι ανατρέπει αριστοτεχνικά την ατμόσφαιρα που θα έχει δημιουργήσει το προηγούμενο και κάθε συνείδηση θα βρει κάποιο για να εναρμονιστεί μαζί του.

 




Decembered

Μαϊμού
Μηνύματα
16.492
Reaction score
37.569
εναρκτηριο αλμπουμ για τη χτεσινη τηλεργασια 8-)
1662199587476.png


+ το τελευταιο studio αλμπουμ του, 2020
(με συμμετοχη Pharoah Sanders)
Over the course of three decades, visionary bassit/producer Bill Laswell has been one of the most prolific and restlessly creative forces in contemporary music, always a few steps ahead of the curve, EVOLUTION/REVOLUTION.

AGAINST EMPIRE, a new catagory of magical, electro/acoustic technology. Further research may shed a most revealing light on thr development of sound storage in material culture.

AGAINST EMPIRE projects a hybrid activity, constantly evolving texture crashes against smooth, unfolding rhythms built around the solid and elastic drum foundations of four iconic drummers - Jerry Marotta (Peter Gabriel), Chad Smith (Red Hot Chili Peppers), Hideo Yamaki (Japan's top drummer) and Satoyasu Shomura (Japanese pop phenomenon). The legendary saxophonist Pharoah Sanders, especially known for his radical collaborations with John Coltrane, versatile multi-instrumentalist Peter Apfelbaum, minimal contributions from the great Herbie Hancock on electric piano and the unmistakable touch of master percussionist Adam Rudolph.

AGAINST EMPIRE, an iconoclast offering of multi-directional movements .... avant-jazz, rock, dub, experimental, ambient, sub-bass and on and on .... a dream colonization, a bizarre image of paradise, an imagined quality of elsewhere, constructs of the imagination, essence of difference.

Nothing is True, Everything Is Permitted

AGAINST the EMPIRE of LIES

AGAINST the ANTI-MUSIC of MEDIOCRITY

AGAINST COMPLACENCY and COMPROMISE

AGAINST SHAMELESS and UNINFORMED PRIVILEGE

AGAINST INHERENT RACISM DIRECT or INDIRECT, KNOWN or UNKNOWN

AGAINST EMPIRE
 


Decembered

Μαϊμού
Μηνύματα
16.492
Reaction score
37.569
-άκρως νυχτερινο και (αυτο)βασανιστικο -
..απο την κυκλοφρια του, δεχεται συχνα-πυκνα επισκεψεις, μιας και ηταν στο πλειερ τελευταια θεση,so enjoy at your own peril.


"A mind-numbingly twisted nightmare featuring a collaboration between industrial/dark ambient musician W. David Oliphant (Maybe Mental, Life Garden), Sun City Girl Alan Bishop and Fat Gray Cat vocalist Michael Pistrui, Happy Dead Man gathered in the brain-frying expanse of the sun-drenched mining town of Bisbee, Arizona and emerged after two days with this unique collection of TUNES with the eerie air of a haunted concept album." Psychedelic Baby Mags

Alan Bishop: Voice, Acoustic Guitar
Michael Pistrui: Voice
W. David Oliphant: Prepared Computer, Recording
 

Decembered

Μαϊμού
Μηνύματα
16.492
Reaction score
37.569
-πρεζαριστο αλυχτισμα-
με
-γυαλια ηλιου αφοτου σκοτεινιασει-

In the late 90’s and early aughts, internet video capabilities like Real Video and Quicktime were expanding, proving the early prophecy that ‘anyone would be able to have their own television channel on the internet’ was indeed coming true. After the critical success of Mulholland Drive, director David Lynch doubled down on the medium, funneling virtually all of his time into personally animating, filming, and scoring content for his own internet destination: davidlynch.com. It was fertile and limitless ground for a creative like Lynch, allowing him to return to the days of his experimental film roots, where it was actually possible for him to have his hands on every element of the process.

It was out of this newfound digital freedom that the early seeds of INLAND EMPIRE were born, evolving and fissuring from an internet-bound experiment itself, into something much more expansive. The film collated a variety of ideas and working methods that the recent web paradigm had nurtured in Lynch, one of which was an increased frequency of his own solo music productions. Having finished constructing his own personal recording studio in 1998, he was no longer tethered to the scheduling and high premiums of rented studio time and was free to accelerate his musical experimentation without constraint. A direct result of this was a unique shift in Lynch’s musical trajectory; a shift that would eventually bear multiple albums and a short film featuring a lounge-crooning monkey. In the first weeks of 2005, Lynch would record a blues instrumental and instead of getting someone else to sing on the song, he would sing, via a formant and pitch-altering piece of equipment known as the Boss VT-1. It was because of the davidlynch.com animated series “Dumbland” that the director had discovered the device that would enable him to be ‘any character he needed.’ With “Ghost of Love,” Lynch was experimenting with bringing those ‘characters’ into his own musical compositions. In true Lynch fashion, it’s difficult to know which inspired which: did "Ghost of Love" birth a scene in INLAND EMPIRE, or did the film’s ideas birth the song? Just as ‘In Heaven’ had served to encapsulate Eraserhead, “Ghost of Love” managed to encapsulate INLAND EMPIRE allowing its listener to close their eyes and immediately channel the film’s images and mood onto the screen of the mind.

“Ghost of Love” backed with “Imaginary Girl,” originally released via CD single in 2006, is now finally seeing its vinyl and digital release for the first time in celebration of INLAND EMPIRE’s 2022 theatrical re-release. Both are signature cinematic Lynchian classics that feature Lynch on guitar and vocals, accompanied by his long-time collaborator and Sacred Bones staple Dean Hurley on bass.
 


Bhutia

Hidden Guru
Editor
Μηνύματα
16.932
Reaction score
54.806
1662629555923.png


O τίτλος του album τα λέει ΄΄όλα΄΄ ενώ το περιεχόμενο εκπληρώνει με τον πιο εθιστικό τρόπο όσα υπόσχεται...



Κυκλοφορεί και μέρος δεύτερον:



1662630061110.png


O παραγωγός Mista Savona ιθύνων νους του εγχειρήματος στη μέση περιστοιχισμένος από τους Sly & Robbie
1662630337168.png
 
Last edited:

Bhutia

Hidden Guru
Editor
Μηνύματα
16.932
Reaction score
54.806
1662821447853.png


Underground Electronica από το παρελθόν...Πίσω στη δεκαετία του 80 o δημιουργός ήταν το πρωί εκπαιδευτικός και το βράδυ κάτι σαν...Decembered.Το album ξεκινά σε προσποιητά γαλήνιο τόνο αλλά μέχρι τον επίλογο θα έχει φορτίσει κάθε διαθέσιμο αισθητήριο...
 

Bhutia

Hidden Guru
Editor
Μηνύματα
16.932
Reaction score
54.806
1662979015439.png


Album ΄΄ξεχασμένο΄΄ στο ράφι από το 2002,με εκτελέσεις ΄΄δυναμίτες΄΄ μπηγμένους στο ορυχείο ψυχικής ευαισθησίας του καλλιτέχνη,ενώ ο ηλεκτρικός ανεμοστρόβιλος των Crazy Horse μας παρασύρει έστω κι ετεροχρονισμένα ρίχνοντάς μας σε πεδία ξέμακρα


(Ο ανωτέρω σύνδεσμος παρέχει διαδοχική αναπαραγωγή όλων των κομματιών)
 


Staff online

ΣΤΑΤΙΣΤΙΚΑ

Threads
171.310
Μηνύματα
2.858.069
Members
37.892
Νεότερο μέλος
Nardo
Top