Keith Jarrett - The Koln Concert - Audiophile 96khz/24bit

[costas EAR]

<<Released for the first time in breathtaking 96kHz/24bit, the performance takes on an entirely new dimension>>

Label: ECM
Release Date: 1975

link

 

[Kotsidis John]

Τhank u !
























:137::137::137::142:

 

[deleted user 10898]

αν υποψιαστωωωω...
οτι ο καυτιας.......
ακουει .....
keith jarett.....
θα πεθααανωωωωω...

 

[Costas Coyias]

Απάντηση: Keith Jarrett - The Koln Concert - Audiophile 96khz/24bit

Πώς νομίζεις ότι έκανε φαλάκρα πριν ακόμα πατήσει τα 25;

 

[costas EAR]

Απάντηση: Keith Jarrett - The Koln Concert - Audiophile 96khz/24bit

όχι μόνο "ακούω" κέϊθ, αλλά αυτός είναι κι ο αγαπημένος μου δίσκος!

ιδίως το part I είναι ...όλ δι μάνεϊ....

 

[costas EAR]

Απάντηση: Keith Jarrett - The Koln Concert - Audiophile 96khz/24bit

άλλωστε τι "ψυχή" έχουν 13,5 ευρώ για το δίσκο αυτό σε 24/96;

ιδίως όταν στα δισκάδικα πουλάν κάτι "για τα μπάζα" δισκάκια σε πολύ υψηλότερο κοστολόγιο?

 

[nmtray2]

Re: Απάντηση: Keith Jarrett - The Koln Concert - Audiophile 96khz/24bit

ιδίως το part I είναι ...όλ δι μάνεϊ....

Aυτος ο ανθρωπος ειναι ικανος να σου σκισει τα σωθικα με ενα πιανο...

 

[antonisgr]

πιφ mainstream πράματα

το album με τις μεγαλύτερες πωλήσεις στην κατηγορία σόλο τζαζ 3,5 εκατομμύρια
ποιος είναι η μανδονα?

αυτό το καινούργιο το 24/96 ακούγεται πιο αεράτο , αλλά με μειωμένο σώμα στο πιάνο?
είναι ιδέα μου?

 

[L.Stephanides-Anakrousis]

Κώστα θα ήθελα να μου πεις πόσα πιάνα ακούγονται στην αρχή, ένα, δύο ή τρία. Έχω τους λόγους που ρωτάω. Λ.Σ.

 

[Κακαλιός Στέργιος]

Απάντηση: Re: Keith Jarrett - The Koln Concert - Audiophile 96khz/24bit

Κώστα θα ήθελα να μου πεις πόσα πιάνα ακούγονται στην αρχή, ένα, δύο ή τρία. Έχω τους λόγους που ρωτάω. Λ.Σ.

αυτό μου θυμίζει εποχές avforum, όπου είχε γίνει ντόρος με το τραγούδι από το δισκάκι της Πασπαλά, "λίγα ψύχουλα αγάπης σου γυρεύω".

Οι μισοί λέγανε ότι το πιάνο βρίσκεται αριστερά, οι άλλοι μισοί ότι είναι δεξιά :139:

 

[LM]

Απάντηση: Keith Jarrett - The Koln Concert - Audiophile 96khz/24bit

Preliminaries to the concert were not auspicious. The concert was organized by Vera Brandes, Germany’s youngest concert promoter. Brandes had selected a Bösendorfer 290 Imperial concert grand piano for the performance, but the stagehands did not realize that the piano was stored in the cellar of the building. Instead, they found a Bösendorfer baby grand backstage and assumed that it was to be used. This piano was intended for rehearsals only, and was in poor condition.

Jarrett had not slept in two nights. He arrived at the opera house late and tired after an exhausting hours-long drive in a Renault R4. He rushed to finish a hasty meal just minutes before the concert was to begin. After learning about the substandard piano, Jarrett nearly refused to play. Brandes, who just turned 18 years old, had to convince the 29-year-old Jarrett to perform nonetheless. Almost as an afterthought, the sound technicians decided to place microphones and record the concert, even if only for the house archive.[2]

The instrument was tinny and thin in the upper registers, so Jarrett concentrated on ostinatos and rhythmic figures.

Despite the obstacles, Jarrett's performance was enthusiastically received, and the subsequent recording was acclaimed by the critics and an enormous commercial success. With sales of more than 3.5 million, it became the best-selling solo album in jazz history.

The recording is in three parts, lasting 26 minutes, 34 minutes and 7 minutes, respectively. As the concert was originally programmed on LP, the second part was split into parts labeled "IIa" and "IIb". Part IIc actually is a 3rd part, the encore.

A notable aspect of this concert is Jarrett's ability to produce very extensive improvised material over a vamp of one or two chords for prolonged periods of time. For instance, in Part I, he spends almost 12 minutes vamping over the chords Am7 (A minor 7) to G major, sometimes in a slow, rubato feel, and other times in a bluesy, gospel rock feel. And for about the last 6 minutes of Part I, he vamps over an A major theme. Roughly the first 8 minutes of Part II A is a vamp over a D major groove with a repeated bass vamp in the left hand, and in Part II B, Jarrett improvises over an F# minor vamp for approximately the first 6 minutes.

Since the release of The Köln Concert, Jarrett has been asked by pianists, students, musicologists and others, to publish the music. At first, he resisted such requests since, as he said, the music played was improvised "on a certain night and should go as quickly as it comes."[citation needed] However, this improvisation already existed in recording, and the transcription only represents the music, so he finally came around to publish an authorized edition, but recommended that every pianist who intended to play the concert should use the recording itself as having the final word. A transcription has also been published by Manuel Barrueco for classical guitar.



One might notice subtle laughter from audience members at the very beginning of Part I in response to Jarrett's quoting the melody of the signal bell in the Köln Opera, which announces the beginning of an opera or concert to patrons.

Years after Jarrett improvised The Köln Concert, Part II C also became known as "Memories of Tomorrow." Although Jarrett's unpremeditated improvisation came first, the song can be found in certain fake books in lead sheet format under that title.

On the 5th of September 2010, Basque independentist army ETA has announced a decision "not to carry out armed actions" on the conflict with Spain and France, in a video obtained by the BBC. The music used by the Basque patriot organization at the beginning of the tape is the Köln Concert.

ΠΗΓΗ:WIKIPEDIA