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Ten newly re-mastered SACDs from the Classic RCA Living Stereo catalog in-stock and available NOW!!!
RCA Classics has just released a set of 10 newly mastered Living Stereo classics on SACD! Each of these hybrid multi-channel SACD's are specially priced at only $11.99 per disc! RCA's acclaimed Living Stereo series--the most successful classical reissue series on CD--embraces the next generation in recorded sound with its first round of releases on hybrid SACDs, offering ten titles which include three new to the Living Stereo series featuring performances by pianists Van Cliburn and Arthur Rubinstein, and conductor Pierre Monteux.
On October 6, 1953, RCA Victor made its first experimental ‘°binaural‘± recordings. By March of 1954, their first forays into the world of stereo were employed at Chicago‘―s Orchestra Hall. Their 1st two-channel recordings were made using a proprietary RCA ¨ω‘± 30ips tape machine and their first three-track recordings were made using tube amp driven Ampex 300-3 ¨φ‘± tape decks (first at 15ips and eventually 30ips) mixed down to ¨ω‘± two-track masters. The favored mics were Neumann U-47 cardioids and M-49/50 omni‘―s. No equalization was used in the original tracking; mics were summed through passive electronics and printed directly to tape.
₯Κ₯Α₯Λ₯Ε₯ ₯Α₯Ρ₯Ο₯Α₯₯Ε₯Ι₯!
RCA Classics has just released a set of 10 newly mastered Living Stereo classics on SACD! Each of these hybrid multi-channel SACD's are specially priced at only $11.99 per disc! RCA's acclaimed Living Stereo series--the most successful classical reissue series on CD--embraces the next generation in recorded sound with its first round of releases on hybrid SACDs, offering ten titles which include three new to the Living Stereo series featuring performances by pianists Van Cliburn and Arthur Rubinstein, and conductor Pierre Monteux.
On October 6, 1953, RCA Victor made its first experimental ‘°binaural‘± recordings. By March of 1954, their first forays into the world of stereo were employed at Chicago‘―s Orchestra Hall. Their 1st two-channel recordings were made using a proprietary RCA ¨ω‘± 30ips tape machine and their first three-track recordings were made using tube amp driven Ampex 300-3 ¨φ‘± tape decks (first at 15ips and eventually 30ips) mixed down to ¨ω‘± two-track masters. The favored mics were Neumann U-47 cardioids and M-49/50 omni‘―s. No equalization was used in the original tracking; mics were summed through passive electronics and printed directly to tape.
₯Κ₯Α₯Λ₯Ε₯ ₯Α₯Ρ₯Ο₯Α₯₯Ε₯Ι₯!
