The Amity, Raven, and Aurora (by Lynn Olson)

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Truth hurts. Here's a teddy bear.
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The Aurora: built by Gary Dahl, current sources by Gary Pimm, metalwork by Josh Stippich, rosewood chassis by Phil Bruckbauer, and circuit design by Lynn Olson.


"...

As a loudspeaker designer, I knew all too well that expecting speakers to be resistive was a vain hope - in fact, the best speakers are typically the most reactive and hardest to drive! I wasn't willing to cherry-pick speakers that were "SE-friendly" - to me, that's another way of saying "speaker-unfriendly." Speakers, by their nature as electromechanical transducers, are not just reactive, but store resonant energy for tens of milliseconds and transmit it back to the amplifier - and all speakers do that, electrostatic, planar, horn, single or multiple-driver. Speaker drivers are intrinsically resonant.

Thinking along these lines - an amplifier that remains linear when driving a complex, nonlinear, and poorly-defined load - leads to Class A PP, preferably with direct-heated triodes instead of triode-connected pentodes. (Tests in Vacuum Tube Valley magazine shows DHTs have about one-half to one-third the distortion of triode-connected pentodes, not a small difference.) The reason is clear when you look at the composite curves of Class A PP triodes: the grid-lines are essentially straight and parallel, so when the load-line opens into an ellipse (becomes reactive) there is no change in distortion.

BY contrast, all other other circuits and devices ... SE, or PP with Class AB, or pentodes, transistors, MOSFETs, etc. all have grid-lines that are curved. Class AB pentode (or transistor) is the worst, with high curvatures centered around the zero-signal region. In others words, the first watt is the worst watt ... but it only appears with reactive loads! Unfortunately, speakers are reactive: they can't help it, they're bandpass filters, and they also store energy for relatively long periods of time (milliseconds) and reflect it back to the amplifier. With most amplifiers, the reactive and delayed energy from the speaker driver greatly increases the amplifier distortion. This is why amplifiers can sound so different with different speakers.

With SE, the overall curvature of the grid-lines is still there, but is quite mild in the zero-signal region; the first watt really is the best watt. This is a critical point; music spends most of the time at low levels, with brief peaks that jump to 10 to 14 dB above the average. On a statistical basis, the greatest percentage of the time is in the 1-watt or lower region, at least if the speaker has any kind of reasonable efficiency.

But ... if you want linearity at low and high levels, near-total immunity from reactive loads, only PP triodes operating in very deep Class A can deliver straight and nearly parallel grid lines.

..."



Διαβάστε περισσότερα: nutshellhifi.com


Νόμιζα ο Olson ασχολείται μόνο με ηχεία! :crazy_1:
Όπως και να'χει, ενδιαφέρον άρθρο....
 

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As a loudspeaker designer, I knew all too well that expecting speakers to be resistive was a vain hope - in fact, the best speakers are typically the most reactive and hardest to drive! I wasn't willing to cherry-pick speakers that were "SE-friendly" - to me, that's another way of saying "speaker-unfriendly." Speakers, by their nature as electromechanical transducers, are not just reactive, but store resonant energy for tens of milliseconds and transmit it back to the amplifier - and all speakers do that, electrostatic, planar, horn, single or multiple-driver. Speaker drivers are intrinsically resonant.

Σωστος

Thinking along these lines - an amplifier that remains linear when driving a complex, nonlinear, and poorly-defined load - leads to Class A PP, preferably with direct-heated triodes instead of triode-connected pentodes. (Tests in Vacuum Tube Valley magazine shows DHTs have about one-half to one-third the distortion of triode-connected pentodes, not a small difference.) The reason is clear when you look at the composite curves of Class A PP triodes: the grid-lines are essentially straight and parallel, so when the load-line opens into an ellipse (becomes reactive) there is no change in distortion.

Χμ... πολυ συζητησιμο αυτο.
Κατα την γνωμη μου δεν ισχυει σε ολες τις περιπτωσεις, για ολες τις σχεδιασεις και για ολες τις λαμπες.

BY contrast, all other other circuits and devices ... SE, or PP with Class AB, or pentodes, transistors, MOSFETs, etc. all have grid-lines that are curved. Class AB pentode (or transistor) is the worst, with high curvatures centered around the zero-signal region.

Πολυ απολυτο και αυτο.
Δεν αληθευει ετσι ακριβως. Δηλαδη εαν μετακινησεις το zero signal region (ουσιαστικα την Ταξη λειτουργιας) εξακολουθει να εχει την ιδια καμπουρα η καμπυλη ? Προφανως ΟΧΙ

In others words, the first watt is the worst watt ... but it only appears with reactive loads! Unfortunately, speakers are reactive: they can't help it, they're bandpass filters, and they also store energy for relatively long periods of time (milliseconds) and reflect it back to the amplifier. With most amplifiers, the reactive and delayed energy from the speaker driver greatly increases the amplifier distortion. This is why amplifiers can sound so different with different speakers.

With SE, the overall curvature of the grid-lines is still there, but is quite mild in the zero-signal region; the first watt really is the best watt. This is a critical point; music spends most of the time at low levels, with brief peaks that jump to 10 to 14 dB above the average. On a statistical basis, the greatest percentage of the time is in the 1-watt or lower region, at least if the speaker has any kind of reasonable efficiency.

But ... if you want linearity at low and high levels, near-total immunity from reactive loads, only PP triodes operating in very deep Class A can deliver straight and nearly parallel grid lines.

Εγω λεω οτι Οποιοδηποτε Push Pull operating in very deep class A μπορει να εχει ισιες και παραλληλες καμπυλες φορτου με μιγαδικο φορτιο.


Διαβάστε περισσότερα: nutshellhifi.com

Ακριβως. Τι περιμενει να ακουσει κανεις ?
Προκειται για τον ναο της λατρειας της θεας Τριοδου και των Interstage μετ/στων.


Νόμιζα ο Olson ασχολείται μόνο με ηχεία! :crazy_1:
Όπως και να'χει, ενδιαφέρον άρθρο....
Ενα ΡΡ με 300Β εχει εξαιρετικο ενδιαφερον.
Αλλα και αλλοι τυποι λυχνιων (πχ Πεντοδες) δεν πανε πισω, τουλαχιστον σε οτι αφορα τις καμπυλες φορτου.
Και επειδη το συγκεκριμενο site αυτο ακριβως διακυρησσει, "διαμαρτυρομαι κοσμιως" )(
 

Κώστας Φ.

Truth hurts. Here's a teddy bear.
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Άσχετο αλλά τελευταία διαβάζω καλά λόγια για την 6SN7 (ειδικά για χρήση σε Προ) - την αναφέρει και το παραπάνω άρθρο...
Επίσης υπάρχουν συχνές αναφορές στο diyaudio αλλά και σε άλλα site (π.χ. εδώ).

Πάντως, μια και ανέφερα το diyaudio, εκεί κάποιοι επιμένουν πως, με βάση τις δοκιμές τους, ένας προ αυτής της κατηγορίας (ακόμη και μία, κατά γενική ομολογία, καλή υλοποίηση όπως ο Aikido) δεν μπορεί να φτάσει την απόδοση των DHT προ (όπως ο 10Υ).
 




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