Tώρα τα είπες ΟΛΑ, και ας μην είμαι fun του yamaha club.
Μπα δε χρειαζεται να αλλαξει και ο τιτλος, μεσα στο θεμα ειμαστε ως αποτελεσμα του αθροισματος
))))
Ανάλογα το χώρο που θα κληθεί να παίξει το ηχειο, την απόσταση ακρόασης από αυτά αλλά και τα είδη μουσικής που θα αναπαράξει το σύστημα.
Τι να την κανεις βρε μουστάκια την ισχυ, σε μικρο χωρο?
Δηλαδη...αμα ειχες 200 βατακια νομιζεις οτι θα τα ανοιγες?
Αφου με 10 αντε 20 βατ παιζουμε καθημερινα. Το θεμα ειναι αν το μηχανημα με τα ρευματα που εχει, μπορει να κουνησει την πλειοψηφια των ηχειων. Κι απ οτι φαινεται μπορει να τα παει τουμπανο...
Επισης δεν εχουν ολοι ξυλάγγουρα ηχεια δυσκολα στην οδηγηση...
Τωρα... αυτοι που εχουν Magnepan, ας παρουν ενκόρια... (που ειναι ισχυροτερα ακομα κι απο Krell)
Εξ' αλλου, οτι παιζει δυνατα δε σημαινει πως "ακουγεται" και σωστα!
(Τους λογους ολοι μας τους γνωριζουμε...)
Γι' αυτό όλα τα αυτοενισχυόμενα studio monitors έχουν την μάνα τους και τον πατέρα τους σε ενισχυτές.
[h=2][/h]...500 λέξεις μ@λ@κίες, για να δηλώσει λοιπόν η Yamaha ότι βρήκε "an ingenious method in order to significantly reduce impedance", δηλαδή την βίδα! μπουάχαχαχα!Direct drawing toroidal transformer for complete elimination of signal transmission loss
The cabling of the power transformer adopts an ingenious method in order to significantly reduce impedance. The winding of the transformer itself is directly connected to the terminal with a screw, unlike with conventional cabling. This enables a power supply which thoroughly limits connection loss and energy loss caused by soldering. The toroidal transformer was selected with top priority on sound quality, contributing superior strength, as well as a profoundly natural and spacious sound.
Exceptionally low impedance through secure screw connections
In order to completely eliminate signal energy loss, important parts of even the circuits employ screw connections. In addition to wiring of the block capacitor of the power unit—which is the real heart of the amplifier and as such requires high power—screw connections were adopted for all crucial spots of signal transmission, including the connection of the pre amp circuit with the power amp circuit, and the cabling to the speaker terminals from the output stage of the power amp. In addition to making the signal path as short as possible, this significantly lowers the impedance, and greatly reduces signal loss.
Αναρωτηθηκες ομως αν η βιδα ειναι απο κορουνδιο η ροδιο η εστω χρυση????Γιατί ρε Βλασ', δεν έχω δίκιο?
Γιατί ρε κουφ@λες γιαπωνέζοι χρόνια τώρα μας τα έχετε πρήξει με τα MOSFETS? ΠΟΤΕ περιφανευτήκατε για τα BJT ???????(http://en.wikipedia.org/wiki/Bipolar_junction_transistor).[h=3]Floating and Balanced Power Amplifier with MOSFETs[/h]
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The basic design of the power amp circuit adopts Yamaha’s own, uniquely developed Floating and Balanced Power Amplifier technology. Adopting output elements with the same polarity on the plus and minus sides of the output stage, and also completely separating the NFB (Negative Feedback) circuit and power supply into a total of four plus and minus sides of the left and right channels, results in thoroughly symmetric push-pull operation of the output stage, Completely floating the entire power amp circuit from the ground removes any negative impact of minute voltage fluctuations or ground noise. Moreover, the output elements are comprised of MOSFETs, which provide a warm and natural sonic character. The use of MOSFETs, which have the same polarity on the plus and minus sides, further evolves the ideal of a complete symmetrical design, to eliminate sound quality variations due to difference in polarity—a major distinguishing characteristic of the Floating and Balanced Power Amplifier—resulting in sound with a superior signal-to-noise ratio and a superbly well-defined sound field.
