Μερικές μουσικές προτάσεις για ακρόαση

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:121: Έπρεπε να είχα ανέβει στον πρώτο όροφο τελικά....
Αυτό είναι το cd που αγόρασες tyler durden ?
 

tyler durden

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Ειδες που τα μεγαλα πνευματα δεν συναντιωνται?:103:
Θα επανορθωσεις, το ξερω.

Οχι το Largo το χω απο το 2004, μαζι με αλλα 3 αλμπουμ του τριο. Προχτες πηρα το καινουριο του Τσαμπροπουλου "the promise" για το οποιο δεν εχω λογια, πραγματικα.
Θα το ετοιμασω για εδω σιγα σιγα..
 

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Ειδες που τα μεγαλα πνευματα δεν συναντιωνται?:103:
Θα επανορθωσεις, το ξερω.

Οχι το Largo το χω απο το 2004, μαζι με αλλα 3 αλμπουμ του τριο. Προχτες πηρα το καινουριο του Τσαμπροπουλου "the promise" για το οποιο δεν εχω λογια, πραγματικα.
Θα το ετοιμασω για εδω σιγα σιγα..
Σωστά...έπρεπε να γράψω και αυτό το cd αγόρασες που είναι φανταστικό....όπως φυσικά και του Τσαμπρόπουλου.

Θα το ετοιμάσεις για την Ελληνική μουσική φυσικά:142:
 

tyler durden

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Σωστά...έπρεπε να γράψω και αυτό το cd αγόρασες που είναι φανταστικό....όπως φυσικά και του Τσαμπρόπουλου.

Θα το ετοιμάσεις για την Ελληνική μουσική φυσικά:142:
this is your idea of "επανορθωνω"?:433:

Απλα ξεκινα να ανεβαινεις στον 2ο...
 


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tyler :Alva Noto & Ryuichi Sakamoto . πολύ ενδιαφέρον θέμα για μελέτη.
Βρισκόμαστε σε μινιμαλιστικο τοπίο το οποίο ασκεί μια ιδιαίτερη γοητεία
αν δεν το παρακάνουν αυτοί οι μινιμαλιστες.
 

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ακριβως Γιωργο. To παντρεμα Sakamoto Noto ειναι μαγικο. To επομενο θα ειναι Fripp, Sylvian εκτος απροοπτου...
 


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David Sylvian & Robert Fripp - Damage (live)



* David Sylvian – vocals, guitar, keyboard instruments, tapes, art director
* Robert Fripp – guitar, frippertronics
* Trey Gunn – chapman stick, vocals
* Michael Brook – infinite guitar
* Pat Mastelotto – drums



Tracklist:
1. "God's Monkey" (Sylvian, Fripp, Gunn, Botrill) – 6:39
2. "Brightness Falls" (Sylvian, Fripp, Gunn)– 6:29
3. "Every Colour You Are" (Sylvian, Karn, Jensen, Barbieri) – 5:44
4. "Jean the Birdman" (Sylvian, Fripp, Gunn) – 4:03
5. "Firepower" (Sylvian, Fripp, Gunn) – 7:09
6. "Damage" (Sylvian, Fripp, Gunn) – 4:26
7. "Gone To Earth" (Sylvian, Fripp) – 2:29
8. "Twentieth Century Dreaming (A Shaman's Song)" (Sylvian, Fripp, Gunn) – 7:54
9. "Wave" (Sylvian) – 6:17
10. "River Man" (Sylvian) – 4:58
11. "Blinding Light of Heaven" (Sylvian, Fripp, Gunn) – 4:36
12. "The First Day" (Sylvian, Fripp, Gunn) – 5:22

Οποιος τυχαινει να πεφτει πανω σε αυτο το αλμπουμ πρωτη φορα, ας ακουσει προσεκτικα τα εκπληκτικα κομματια: Every Colour You Are, Riverman, Damage

David Sylvian & Robert Fripp - Every Colour You Are
[YOUTUBE]-37UPgnQS1s[/YOUTUBE]

David Sylvian Robert Fripp - Riverman
[YOUTUBE]6J_czXr23cQ[/YOUTUBE]

Sylvian / Fripp - Damage
[YOUTUBE]W0Q7N6QLYxc[/YOUTUBE]

David Sylvian & Robert Fripp - Blinding Light Of Heaven
[YOUTUBE]wgFrI81fMdY&feature[/YOUTUBE]

Sylvian & Fripp - Wave
[YOUTUBE]Q5RXv3AFBQk[/YOUTUBE]

Sylvian & Fripp - 20th Century Dreaming
[YOUTUBE]mHfcWt74ITw[/YOUTUBE]
 

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Κ Α Τ Α Π Λ Η Κ Τ Ι ΚΟ album!!!!!!Mπράβο tyler durden σκοτεινό, εσωτερικό, πέρα από τα συνηθισμένα ακούσματα...σκέτη ποίηση...Μου αρέσει υπερβολικά..όπως και οι Μαντρουγκάντα μου αρέσουν υπερβολικά....
Το έχω!
 

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Blonde Redhead - Misery is a butterfly



Review (from Pitchfork)
Blonde Redhead have long been maligned as self-consciously artsy, drawing facile comparisons to Sonic Youth and a host of No-Wave acts-- references that owe as much to their bandname's tribute to a DNA song as to Blonde Redhead's often discordant noise-rock. That rhetoric, of course, should've been shelved after the release of Melody of Certain Damaged Lemons. I only felt I should mention it again because, apparently, many of their party-line detractors never got the memo. By Melody, much of Blonde Redhead's feedback-laced art-rock had given way to brittle pop and arm's-length romanticism, yet somehow they still caught flak for the sound they had already largely outgrown. Just saying, is all: What used to be true is now tired, and, with the release of Misery Is a Butterfly, such knee-jerk dismissals can finally be considered irrelevant.

On Melody, the band's artistic growing pains had already become evident, most notably in the wide-eyed, fairytale pining of "This Is Not", a vibrant synth-ballad that-- like the first protuberance of wing from a cocoon-- threatened to split the seams of their style-damaged rock wide open. That's not just flowery critic-speak, either-- Kazu Makino and the Pace twins (Amadeo and Simone) split from Touch & Go Records and financed their latest recording themselves, because, according to Simone, they "didn't want to have any kind of limits with what [they] wanted to do as far as expenses; with Touch & Go, sometimes things were a little tight."

The confidence that led them to strike out on their own-- even before 4AD expressed interest in the album-- is impressive. But more striking is how clearly that confidence has translated to their music. Freed from all constraints, Blonde Redhead are beautifully reborn on Misery Is a Butterfly. True, feelings of loss, insecurity, and outright alienation do factor heavily into the record's thematic vision (this butterfly isn't called "Misery" for nothing), but the band's sense of assuredness surrounds the album's themes of vulnerability.

Misery Is a Butterfly was recorded before being shopped to a label, but judging by the sound of the album, its eventual release on 4AD seems to have been an inevitability. From track one, the record is lacy and moody, perfectly suited to the one-time home of the Cocteau Twins and This Mortal Coil. The word "lush" doesn't quite capture the fluttering whirls of strings, keyboards, and delicately plucked guitar that open "Elephant Woman"; I'd go so far as to label such enveloping richness of instrumentation "baroque," perhaps even "rococo."

For Blonde Redhead's latest incarnation, the softer production simply serves as polish for tarnished, tired guitar, drums and keyboards. Here, the bristling energy that once held would-be sympathizers at bay has been turned inward, resulting in an unprecedented illusion of warmth. "Anticipation", for example, ventures into completely foreign territory for the band; it's vulnerable, yet remains emotionally available, and is breathtaking even in comparison to the band's most typically pretty compositions. Never before have Makino's gentle whispers seemed so genuine or close at hand. The psychedelia-inflected title track and the fractured desolation of "Falling Man" also offer inviting hints of the underlying humanity Blonde Redhead had, until now, been so reluctant to display.

Of course, even now, that humanity may be little more than an apparition. Their tales of heartache and desperation have cast Makino and Amadeo Pace-- the emotional heart of the band-- as tragically misunderstood, tortured poets who pin misery on their sleeves, never conceding that anyone else could be capable of understanding their pain. And despite the more inviting nature of Misery's music and production, they remain insular and distant here, as well. Only on "Anticipation" are Makino's vocals as beckoning as their musical surroundings; elsewhere, Blonde Redhead remain as they've always been: beautiful and vacant.

But they excel at being just that. It bears repeating that Misery Is a Butterfly is a gorgeous achievement. Parrying the double-edged sword of pathos in music-- the "emo" trap, if you will-- Blonde Redhead have perfected their own unusual strain of perceived insincerity. They said it themselves, and it still rings true: "Fake can be just as good." Though this album's lustrous ornamentation is often placed at odds with its halting vocals, Blonde Redhead are wise enough to embrace their own imperfections. They once espoused the merits of loving another despite our faults, and it shouldn't be hard for fans to seize on that sage advice. Misery Is a Butterfly makes it easy.

"Elephant Woman" Blonde Redhead.
[YOUTUBE]GD2QSEs2iMs[/YOUTUBE]

Blonde Redhead - Melody
[YOUTUBE]OkdxGahIPhs[/YOUTUBE]

Blonde Redhead - Falling Man (FOX ROX)
[YOUTUBE]uACFphPXNdU[/YOUTUBE]

Blonde Redhead - Falling Man (Live HQ)
[YOUTUBE]mjkHARWim5k[/YOUTUBE]
 

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και τωρα κατι πιο βαρυ, κιθαριστικο και σκοτεινο, πιο ποιητικο και απο Μadrugada που σας αρεσουν.

Λεγονται iLiKETRAiNS, θα σας θυμισουν πολλα πραγματα απο το παρελθον, αλλα ειναι μια εκπληκτικη μπαντα, εσωστρεφης, που αλλοτε βγαζει νευρο, θυμο, αλλοτε υποτονικοτητα και συναισθημα.

Ι Like Trains (styled as iLiKETRAiNS) are an alternative/post-rock band from Leeds, England. The group play brooding songs featuring sparse piano and guitar, baritone vocals, uplifting choral passages and reverberant orchestral crescendos. They draw their inspiration from historical failings and a pessimistic world view.

They debut LP, Elegies to Lessons Learnt was released on Beggars Banquet Records, and their debut EP, "Progress Reform", was released on Fierce Panda Records in June, 2006. The band ran a night at The Brudenell Social Club in Leeds called Signal Failure, putting on bands including Youthmovies, Blood Red Shoes, The Strange Death of Liberal England, Josh T. Pearson, The Early Years and Tired Irie

On 7 April, 2007, I Like Trains featured on the early-hours music television programme The JD Set, which featured live performance clips and interviews. David Martin talked about how he wanted their music to have a "sense of location" and that this was lacking in music like "Godspeed and Sigur Rós".

The band work on concept albums which are also optically represented on stage, by means of video projections and the band's dress. The songs on Elegies to Lessons Learnt are based on tragic historical events and figures and the songs were created after thorough research and study.[3]

I Like Trains have supported bands including British Sea Power, The Cooper Temple Clause and The Sisters of Mercy.



αυτα ειναι δυο προτεινομενα πολυ καλα αλμπουμ:

# Elegies to Lessons Learnt (2007) 1/10/07 UK Chart #190, UK Indie Chart #17


# Progress Reform (EP) (2006) 26/6/06


--------------------------------------------------------------------------------------------------------------------------------

iLiKETRAiNS - Terra Nova
[YOUTUBE]hoHloQFJNvs[/YOUTUBE]

iLiKETRAiNS - The Deception
[YOUTUBE]xtVRLkb4GoU[/YOUTUBE]

iLiKETRAiNS - Spencer Perceval
[YOUTUBE]ei-YcXjlglI[/YOUTUBE]

iLiKETRAiNS play Spencer Perceval on Channel M
[YOUTUBE]Bf_9TOjo2xM[/YOUTUBE]

ILikeTrains - The Beeching Report
[YOUTUBE]tFJd9n8X9DI[/YOUTUBE]

William's Last Breath by iLiKETRAiNS
[YOUTUBE]WYDlwGJ0NQk[/YOUTUBE]

iLiKETRAiNS - The Accident
[YOUTUBE]uACt4dIZwfA[/YOUTUBE]
 

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Sivert Høyem

Sivert Høyem (born January 22, 1976 in Sortland) was the singer of the Norwegian rock band Madrugada.

Høyem rose to fame in the late 1990s when Madrugada made their Norwegian breakthrough with debut album Industrial Silence. He has the last few years had success as a solo artist, releasing the albums Ladies and Gentlemen of the Opposition (2004), Exiles (2006) and Moon Landing (2009). He toured with his band, Sivert Høyem and the Volunteers, in May 2007 playing at festivals across Norway.
In December 2009 he concluded another tour with his new band.

Moon Landing


Tracklist

1. Belorado
2. The Light That Falls Among The Trees
3. Moon Landing
4. What You Doin’ With Him?
5. Going For Gold
6. Lost At Sea
7. Shadows/High Meseta
8. Empty House
9. High Society
10. Arcadian Wives


Exiles


Tracklist

1. Love, Leave Me Alone
2. January 3rd
3. Don’t Pass Me By
4. Exiles
5. Arcadians
6. Into the Sea
7. Just a Little Closer Now
8. Horseshoes
9. Black Cross
10. I’ve Been Meaning to Sing You the Song


Ladies and Gentlemen of the Opposition


Tracklist

1. Northwind
2. Be For Real
3. Smalltown Supersound
4. Far From Here
5. Song For Cornelis
6. Black Box
7. Ladyfriend
8. What’s Wrong With You?
9. First Day of Somersaults
10. Woman
11. Slow Blues/Let It All Hang Out Now
12. Theme From Bambi



Sivert Hoyem & The Volunteers - Be For Real
[YOUTUBE]bl8ni4BwNxU[/YOUTUBE]

Sivert Høyem - 2009-11-26 - Northwind - Sentrum Scene Oslo
[YOUTUBE]cUGC_5_yoFA[/YOUTUBE]

Sivert Høyem - Far From Here
[YOUTUBE]cIFiOvlgcOc[/YOUTUBE]

Sivert Høyem - Arcadians
[YOUTUBE]rLhmtEnwkyQ[/YOUTUBE]

Sivert Hoyem & The Volunteers - Exiles
[YOUTUBE]GkoByHco_Ig[/YOUTUBE]

Sivert Høyem - Into The Sea
[YOUTUBE]OFBfzDx5wG4[/YOUTUBE]
 

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Vassilikos - "Vintage"



Ο Vassilikos των Ρaining Pleasure κυκλοφορεί το πρώτο προσωπικό του album "Vintage", το οποίο όπως γράφει στο εξώφυλλο του, περιέχει τραγούδια που θα ευχόταν να τα είχε γράψει ο ίδιος.

Τραγούδια από τα 60s και τα 70s κατά κύριο λόγο, τα οποία ταιριάζουν πάρα πολύ με τη φωνή του Βασιλικού.Τα 13 τραγούδια του δίσκου με πληροφορίες για το καθένα μπορείτε να δείτε παρακάτω:

1. Across the Universe (δημιουργία - ερμηνεία: Beatles - 1969)

2. Dream A Little Dream Of Me (δημιουργία: Fabian Andre, Wilbur Schwandt - 1931, η πιο γνωστή ερμηνεία: The Mamas & Papas - 1968)

3. The Windmills Of Your Mind (Les moulins de mon cœur, δημιουργία: Michel Legrand - 1968, η πιο γνωστή ερμηνεία: Dusty Springfield - 1969)

4. Nature Boy (δημιουργία: eden ahbez - 1947, η πιο γνωστή ερμηνεία: Nat King Cole - 1948)

5. Famous Blue Raincoat (δημιουργία - ερμηνεία: Leonard Cohen - 1971)

6. All Tomorrow's Parties (δημιουργία - ερμηνεία: Velvet Underground - 1967)

7. You Are My Destiny (δημιουργία - ερμηνεία: Paul Anka - 1958)

8. I Who Have Nothing (δημιουργία - ερμηνεία: Ben E. King - 1963)

9. The Look Of Love (δημιουργία: Burt Bacharach - 1967 , η πιο γνωστή ερμηνεία: Dusty Springfield - 1967)

10. The Man I Love (δημιουργία: George Gershwin - 1927, η πιο γνωστή ερμηνεία: Kate Bush & Larry Adler - 1994)

11. If You Go Away ("Ne Me Quitte Pas" δημιουργία: Jacques Brel - 1959, η πιο γνωστή ερμηνεία: Frank Sinatra)

12. Sealed With A Kiss (δημιουργία: Peter Udell & Gary Geld - 1960, η πρώτη ερμηνεία: The Four Voices - 1960, η πιο γνωστή ερμηνεία: Jason Donovan - 1989)

13. Moon River (δημιουργία: Johnny Mercer (στίχοι), Henry Mancini (μουσική) - 1961, η πρώτη ερμηνεία: Audrey Hepburn - 1961)

(πηγη: http://meresvinyliou.blogspot.com/2009/12/vassilikos-vintage.html)

Famous Blue Raincoat - Vassilikos
[YOUTUBE]rm05LqzrhDs[/YOUTUBE]

"The windmills of your mind" by Vassilikos
[YOUTUBE]LDttvbL-xpU[/YOUTUBE]

"you are my destiny" by Vassilikos
[YOUTUBE]lqyq2w1aud0[/YOUTUBE]

Vassilikos - Across The Universe
[YOUTUBE]Tj7XSNVcMbE[/YOUTUBE]
 

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Jan Garbarek & Ustad Fateh Ali Khan & Musicians from Pakistan - Ragas and Sagas



Ustad Fateh Ali Khan voice
Jan Garbarek soprano and tenor saxophones
Ustad Shaukat Hussain tabla
Ustad Nazim Ali Khan sarangi
Deepika Thathaal voice
Manu Katché drums

Raga I
Saga
Raga II
Raga III
Raga IV

Jan Garbarek & Ustad Fateh Ali Khan - Raga I
[YOUTUBE]nSqa2hId9kA[/YOUTUBE]

Jan Garbarek & Ustad Fateh Ali Khan - Saga!
[YOUTUBE]kC4cBy9wgaY[/YOUTUBE]
 

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Madeleine Peyroux - Bare Bones (2009)



Bare Bones is the fifth studio album by American jazz singer Madeleine Peyroux. It was released on March 10, 2009

The album received both critical and public acclaim. It received favourable reviews and the lyrics were praised. Commercially, it reached number 1 on the Jazz charts and entered on the Billboard 200 at number 71. The album debuted and peaked at number 12 on the Official UK Albums Chart.

All the songs were written or co-written by Peyroux. According to her, the album is an attempt to resume her philosophy of life and she started working on it after the release of Half the Perfect World.

Love and treachery - Madeleine Peyroux
[YOUTUBE]bF8LnQmoNhU[/YOUTUBE]

Madeleine Peyroux - To love you all over again
[YOUTUBE]lMVdHih-G_A[/YOUTUBE]

(HD) Madeleine Peyroux - River Of Tears
[YOUTUBE]vv7tdu2csUE[/YOUTUBE]

Madeleine Peyroux "Bare Bones" EPK
[YOUTUBE]5AegtU7xtRI[/YOUTUBE]
 

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Tyler :Madeleine Peyroux

Είναι μες στις επιλογές μου δεν το συζητώ.
Έχω το CD ( Careless love) . Aν μπορείς άκουσε το
1. Dance me to the end of love είμαι σίγουρος ότι
δεν θα το ξεπεράσεις εύκολα.
 

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εχω σχεδον ολη τη δισκογραφια, η εκτελεση στην κομματαρα του Κοεν ειναι ανυπερβλητη!
 

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Μήπως να στήναμε Κανά ραδιοφωνικό σταθμό σπιτι σου?:615:
 

tyler durden

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Μήπως να στήναμε Κανά ραδιοφωνικό σταθμό σπιτι σου?:615:
a la "βασικα καλησπερα σας" με Ψαλτη, Γαρδελη, Μιχαλοπουλο.....?:135:
Θα βαλω και τη Fedra να αναλαβει το προγραμμα μεταμεσονυχτια, να παιζει τα αισθησιακα της και να μην κοιμαται κανενας, θα καθονται κλαρινο ολο το βραδυ...
 


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